動作·科幻場景提示詞合集

Vertical 9:16, 8 seconds, cinematic live-action zombie horror-comedy, the ground-floor elevator of an office building at night. The elevator car is brightly lit with clean white light, brushed stainless-steel walls and a button panel. Locked camera inside the elevator at standing eye level, in the front corner next to the button panel, angled diagonally so the passengers' faces and the open doors are in the same frame; only a quick half-second push-in toward the flashing warning light where noted.

Outside the doors: an ordinary, normally lit office corridor with fluorescent lights. A big window at the far end gives soft backlight and a light haze, so the zombies coming down the corridor read only as hazy, shambling silhouettes. Do not make the scene dark.

Si-eun (keep identical to the reference images): a young East Asian woman in her early 20s, black bob with blunt bangs, small mole on her right cheek, small gold hoop earrings, hot-pink baseball cap with a cyan film-strip "C" logo on the front, open faded blue denim shirt over a white tank top with pink trim, hot-pink athletic shorts with the cyan "C" logo, plain grey sneakers with no logos. Bare hands — no gloves, ignore any gloves in the reference images.

Passengers: eight ordinary people — office workers (men and women), a delivery rider, a college student, a middle-aged woman — all with normal, healthy human faces, terrified and packed tightly together.

The fat zombie (the only zombie that enters the elevator): a very large, heavy man with a huge round belly, in a white shirt stretched so tight the buttons are about to pop and loose hanging suspenders; cracked grey-green zombie skin, cloudy white pupil-less eyes, crooked yellow teeth. No blood, no wounds, no gore.

0–1.5s: The packed passengers frantically jab the door-close button. Down the corridor, hazy zombie silhouettes stagger toward the elevator. As the doors begin to close, Si-eun sprints in and twists sideways through the narrowing gap — the last one in — and stands at the very front just inside the doors, back to the wall, catching her breath.

1.5–2.5s: A chubby grey-green hand shoves into the almost-closed gap; the doors ding and slide back open. The fat zombie squeezes in belly-first, its huge belly pushing everyone flat against the walls and nudging Si-eun aside. It stands facing the passengers. Behind it, more zombie silhouettes hover hazily in the corridor.

2.5–3.5s: The overload alarm goes off with a long "beeeep". A simple red warning light above the doors starts blinking on and off, and its red glow pulses across the bright car; the camera does a quick half-second push-in toward the blinking light and back. The doors stay open. No words or text anywhere — just the blinking red light and the beeping.

3.5–5.5s: The red light keeps blinking and the alarm keeps beeping. One by one, every passenger slowly turns to stare at the zombie. The zombie looks at the faces on its left, then on its right, then lowers its head and looks down at its own huge belly, and blinks slowly as it realizes. Si-eun crosses her arms, stares straight at the zombie, and jerks her chin toward the open doors.

5.5–7s: The zombie's shoulders droop and it shuffles backward out of the elevator alone; its belly briefly sticks in the door frame, then pops free. The instant it is out, the alarm stops and the red light switches off, back to plain white light. Through the closing gap, the zombie gives a small, sad little wave.

7–8s: The doors close completely. All the passengers let out a big relieved sigh and their shoulders drop. Si-eun looks straight into the lens, straightens her cap and gives a small confident smirk; the cyan "C" logo on her cap faces the camera.

Look: bright, clean comedic horror-film look, natural colors, fine film grain, sharp faces.

Sound: rapid button clicks, zombie groans, a door "ding", the long overload "beeeep", a soft "pop" as the belly comes free, the alarm cutting off, everyone's relieved sigh. No dialogue, no music lyrics.

Constraints: exactly one zombie enters the elevator — the fat zombie; it is clearly a zombie (grey-green skin, white eyes) and every passenger has a normal healthy human face. The corridor zombies stay as hazy silhouettes and never enter. No zombie bites or touches anyone. The warning is only a blinking red light — no text, no words, no signs, no screen text anywhere. The red light is on only while the zombie is inside. Keep Si-eun's face, hair, outfit and logos exactly as in the reference images. No brand logos, no slow motion, no subtitles.

提示 把角色設定圖作為參考圖加入。只要一隻喪屍，其他人都是正常人臉，笑點才成立。警告只用閃爍的紅燈，文字容易變形。

Duration: 10 seconds
Format: Vertical 9:16
Genre: Cinematic live-action horror comedy
Visual style: Photorealistic, high-detail, fast-paced action, realistic human movement.

LOCATION – MODERN GYM

A spacious, premium, state-of-the-art fitness center with bright white LED lighting throughout. The gym is clean, modern, and fully equipped.

Clearly show a large variety of gym equipment from the very beginning:

- Multiple treadmills and elliptical machines
- Stationary exercise bikes
- Cable crossover machines
- Modern weight-training machines
- Dumbbell racks with different weights
- Flat and incline workout benches
- Barbells and weight plates
- Leg press machines
- Smith machines
- Exercise mats and other training equipment

The gym must be brightly illuminated and visually impressive. Do not make it dark, abandoned, empty, or poorly lit. The equipment should be clearly visible before the whistle is blown.

CHARACTERS

SI-EUN: A young Korean woman wearing a black baseball cap with a clear white C logo, gray zip-up hoodie, white cropped T-shirt, black athletic shorts, and white sneakers. Maintain the exact same face, hairstyle, outfit, and cap throughout the entire sequence.

ZOMBIES: Approximately ten zombies with distinct faces, body types, and appearances. They wear ordinary dirty, torn everyday clothing, not gym clothes. Maintain their individual appearances and clothing consistently throughout the scene.

TIMELINE AND ACTION

0.0–1.5s – THE GYM ENTRANCE: THE CHASE BEGINS

The scene starts at the glass entrance of the modern gym.

Si-eun rushes through the entrance into the gym, desperately trying to escape. Immediately behind her, approximately ten zombies pour through the same entrance, aggressively chasing her.

The zombies stretch out their arms and reach for her. One nearly grabs the back of her hoodie.

Use a dynamic tracking shot moving backward into the gym as Si-eun runs toward the camera. Briefly show the zombies flooding through the glass entrance behind her.

The camera must establish the bright, spacious gym interior and its many exercise machines while maintaining the feeling of immediate danger.

1.5–2.8s – DODGING THROUGH THE EQUIPMENT

Si-eun runs deeper into the gym, weaving between the dumbbell racks, workout benches, treadmills, and weight machines.

A zombie in a red hoodie lunges toward her from the side.

She suddenly changes direction and leaps over a workout bench. The zombie's teeth snap just behind her ankle.

She narrowly escapes and rushes between two rows of exercise machines.

Use quick cuts, low-angle tracking shots, and close-ups of her frightened face and the zombies' reaching hands.

The gym equipment should remain clearly recognizable in the background. The chase must feel fast, chaotic, and dangerous.

2.8–3.8s – TRAPPED AT THE DEAD END

Si-eun reaches a dead-end area near the back wall of the gym.

She turns around and realizes that all ten zombies have surrounded her in a semicircle.

A bald zombie suddenly lunges toward her.

Si-eun quickly ducks and narrowly avoids being caught.

As she regains her balance, she notices a small RED WHISTLE lying on the floor near the wall.

Cut to a brief close-up of the red whistle on the gym floor.

3.8–4.5s – THE RED WHISTLE

Si-eun quickly bends down, grabs the red whistle, raises it to her mouth, and blows sharply.

A loud, clear whistle echoes throughout the gym.

At the exact moment the whistle sounds, all ten zombies simultaneously stop chasing her.

Create a brief moment of complete silence and stillness after the whistle.

4.5–5.2s – THE UNEXPECTED TRANSFORMATION

Suddenly, all ten zombies turn away from Si-eun and move toward different exercise stations.

Their aggressive expressions change into serious, focused workout expressions.

They begin personal training exercises simultaneously.

This must look like a perfectly synchronized but absurdly unexpected transformation.

5.2–8.5s – TEN ZOMBIES, TEN DIFFERENT WORKOUTS

Show the zombies individually using different gym equipment. Each zombie must use a separate station and perform a different exercise.

1. Red hoodie zombie: running intensely on a treadmill.
2. Bald zombie: lifting a heavy barbell.
3. Zombie 3: doing dumbbell chest presses on a flat bench.
4. Zombie 4: performing dumbbell curls beside the dumbbell rack.
5. Zombie 5: using the cable crossover machine.
6. Zombie 6: pushing the leg press machine.
7. Zombie 7: cycling rapidly on a stationary exercise bike.
8. Zombie 8: performing shoulder presses on a weight machine.
9. Zombie 9: using the Smith machine for squats.
10. Smallest zombie: attempting an exercise on a separate workout station, losing balance, and falling backward in a clumsy comedic moment.

Each zombie must remain at its own distinct exercise station. Do not make all zombies perform the same exercise. Do not make them gather around Si-eun.

Use quick cinematic cuts to show the different exercises, with energetic movements, exaggerated effort, and funny zombie grunts.

8.5–10.0s – THE COMEDIC ENDING

Si-eun slowly backs away while watching the zombies continue their individual workouts.

She realizes that the whistle has completely changed the situation.

Her terrified expression turns into a confident, amused smile.

She gives a playful wink directly toward the camera.

The white C logo on her black cap is clearly visible.

She calmly walks toward the gym exit while the zombies continue exercising in the background.

The final shot shows the glass gym door closing, with the zombies still intensely working out inside.

End on a funny visual contrast: Si-eun escapes peacefully while ten zombies continue their personal training session.

CAMERA AND SOUND DESIGN

Camera:

- Fast backward tracking shot during the entrance chase.
- Dynamic side tracking shots as Si-eun dodges gym equipment.
- Brief close-up of the red whistle on the floor.
- Close-up of Si-eun blowing the whistle.
- Wide shot showing all ten zombies stopping simultaneously.
- Quick individual shots of the ten different workout stations.
- Final medium shot of Si-eun winking at the camera.

Sound effects:

- Fast footsteps and heavy breathing.
- Zombies growling and snarling.
- Clothing and equipment moving during the chase.
- Sharp sound of the zombie snapping its teeth.
- Sudden loud red-whistle blast.
- Brief silence immediately after the whistle.
- Rhythmic gym equipment sounds, weights clanking, treadmill motors, and zombie grunts during the workout sequence.
- A comedic thud when the smallest zombie falls.

IMPORTANT CONTINUITY RULES:

- The gym is brightly lit and modern from the first frame to the last.
- The scene starts with Si-eun entering the gym, not exiting it.
- Approximately ten zombies pursue her from the entrance.
- The red whistle is initially lying on the floor. It is not around Si-eun's neck and she does not possess it before finding it.
- The whistle must be clearly RED.
- All zombies react simultaneously to the whistle.
- Each zombie performs a different exercise at a different gym station.
- Preserve Si-eun's face, outfit, cap, and C logo consistently.
- Keep the same zombie appearances and clothing throughout.
- No gloves.
- No dark gym lighting.
- No sudden character changes or teleporting.
- Maintain realistic movement, spatial continuity, and clear action in every shot.

提示 把角色設定圖作為參考圖加入。動作多，10 秒一次生成容易崩，建議做兩段 5 秒（追逐+口哨 / 訓練+離開），再用 Cut Maker 拼接。

Vertical 9:16, 5 seconds, cinematic live-action action film, city at dusk.
Character (keep identical to the reference images): Si-eun, a young East Asian woman in her early 20s, black bob haircut with blunt bangs, small mole on her right cheek, small gold hoop earrings. Hot-pink baseball cap with a cyan film-strip "C" logo on the front, open faded blue denim shirt with rolled sleeves over a white tank top with pink trim, hot-pink athletic shorts with the cyan "C" logo, black fingerless leather gloves, plain grey sneakers with no logos.
0–1.5s: Handheld tracking shot from behind and slightly above. A massive horde of zombies floods the entire rooftop like a wave, still pouring out of the stairwell door and climbing over the railing from the next building. Si-eun sprints full speed toward the rooftop edge through the gap. The zombies right behind her stretch their arms out and keep missing the tail of her denim shirt by a few centimeters.
1.5–2s: She plants one foot on the edge and leaps off into the air. At that exact moment, the lead zombie's hand brushes the end of her shirt and knocks the cap off her head; its fingers close on empty air right next to her ankle — a near miss.
2–3s: The camera cranes down fast, following her fall. Above, zombies crowd the railing in layers, leaning out and clawing at the air. The cap spins and falls slower than she does.
3s: Three-point superhero landing on the street — right knee and right fist hit the asphalt at the same moment. The asphalt cracks in a clean ring and a shockwave of dust rolls outward. A short camera shake on impact.
3.5–5s: Low angle looking up at her. In the background at the top of the frame, zombies hang densely over the rooftop railing, reaching down. Without looking up, she raises one hand and catches the falling cap, puts it on, then looks straight into the lens with a small confident smirk. The cyan "C" logo on the cap faces the camera.
Lighting: low orange dusk sun behind the buildings, strong rim light on her silhouette and hair, cool blue shadows in the street, dust glowing in the backlight.
Look: high-energy action film look, orange-and-teal grade, fine film grain, light motion blur on fast moves, shallow depth of field in the final shot.
Physics: real body weight and momentum, hard landing impact. The cap is light and lands in her hand about 0.8 seconds after she lands. The zombies stop at the railing; none of them jump or fall.
Zombies: pale grey skin, torn dirty clothes, stiff fast movement. No blood, no wounds, no gore.
Constraints: keep her face, hair, outfit and logos exactly as in the reference images. No slow motion, no text, no subtitles, no other logos, no gore. Her cap must come off only at the leap and be back on her head at the end.

提示 把角色設定圖作為參考圖，臉和服裝才能保持一致。喪屍不要流血，全部從身後追來。

Vertical 9:16, 5 seconds, cinematic live-action zombie horror-comedy, a narrow city alley at dusk with a low orange sunset behind. One continuous handheld shot from the front, the camera moving backward as she comes forward, then a hard cut to the selfie photo for the last moment.
Character (keep identical to the reference images): Si-eun, a young East Asian woman in her early 20s. Black bob haircut with blunt bangs, small mole on her right cheek, small gold hoop earrings. Hot-pink baseball cap with a cyan film-strip "C" logo on the front, open faded blue denim shirt with rolled sleeves over a white tank top with pink trim, hot-pink athletic shorts with the cyan "C" logo, plain grey sneakers with no logos. Bare hands, no gloves. She holds a plain black smartphone with no logo on the case. She is the ONLY human in the whole video.
Zombies: about 12 ordinary classic zombies, men and women mixed, no costumes and no special roles. Every single one looks exactly like a typical movie zombie: cracked grey-green skin with dark veins, sunken cheeks, dark hollow eye sockets, cloudy white eyes with no pupils, crooked yellowish teeth, messy matted hair, torn, dirty, faded everyday clothes (shirts, hoodies, jackets) in dull grey, brown and dark blue. No blood, no wounds, no gore. Seven of them stand closest to her and fill the photo.
0–1.3s: Si-eun sprints full speed toward the camera. Behind her, the zombies fill the alley and lurch after her. They do NOT run like normal people: bodies hunched forward, heads lolling and twitching, uneven limping strides, some dragging one leg, stumbling into each other, stiff arms stretched out in front, mouths open and groaning. Their zombie faces stay clearly visible.
1.3–1.8s: She suddenly stops, still facing the camera, and raises her phone high above and in front of her head, tilted down at a 45-degree angle for a high-angle selfie. The zombies jerk to a halt about one meter behind her and bump into each other. No zombie touches her.
1.8–3.3s: She tilts her face up toward the phone with a big bright smile and makes a V-sign next to her cheek. The three zombies right behind her look at each other, then up at the phone, and clumsily copy her V-sign with stiff grey fingers. The other four zombies squeeze their heads in between them, staring up at the phone with blank white eyes. At 3 seconds, a phone shutter click.
3.3–4.2s: She lowers the phone, checks the photo, gives a small satisfied nod, then looks straight into the lens with a small confident smirk; the cyan "C" logo on her cap faces the camera. Behind her, the zombies stay frozen in their poses.
4.2–5s: A quick white shutter blink, then a hard cut to the selfie photo as a frozen still that fills the whole frame. The photo is shot from above at a 45-degree angle looking down, packed tight: Si-eun large in the front with a bright, cute smile and a V-sign by her cheek; right behind her, exactly seven zombies crammed together, all staring up into the lens with blank white eyes and slack, gaping mouths — three of them doing clumsy V-signs. The frame is full of faces edge to edge, with no empty space. Si-eun is the only human face in the photo.
Lighting: low orange sunset backlight down the alley, warm rim light on her hair and shoulders, cool blue-green shadows on the zombies. The photo keeps the same light.
Look: horror-comedy film look, natural colors, fine film grain, only light motion blur so the zombie faces stay visible. The final photo is sharp like a real phone selfie.
Sound: running footsteps, zombie groans, a messy shuffle as they stop, one phone shutter click at 3 seconds and a soft click on the photo. No dialogue, no music lyrics.
Constraints: Si-eun is the only human; every other person is a zombie with grey-green skin and white eyes — no normal human faces anywhere. No costumes, no uniforms, no hats or helmets on the zombies, no animals or toys. The zombies never run like normal people. She never turns her back to the camera and never looks at the zombies. Only three zombies make V-signs. No camera flash, no glowing effects. Keep her face, hair, outfit and logos exactly as in the reference images. No brand logos anywhere, no readable text. No slow motion, no subtitles, no text or frame on the photo.

提示 把角色設定圖作為參考圖加入。給喪屍設定角色或服裝容易變成人臉，請保持普通喪屍。如果沒有切到照片，就單獨生成照片再拼接到結尾。

Vertical 9:16, 5 seconds, cinematic live-action sports action, a huge professional baseball stadium at night under bright floodlights, packed crowd.
Character (keep identical to the reference images): Si-eun, a young East Asian woman in her early 20s, the pitcher. Black bob haircut with blunt bangs, small mole on her right cheek, small gold hoop earrings. Hot-pink baseball cap with a cyan film-strip "C" logo on the front, open faded blue denim shirt with rolled sleeves over a white tank top with pink trim, hot-pink athletic shorts with the cyan "C" logo, plain grey sneakers with no logos. A brown leather pitcher's glove on her left hand.
Batter: a male batter in a plain grey uniform and black helmet, no names, no numbers, no logos.
Camera: locked at the home-plate umpire's eye level, directly behind the catcher, facing the pitcher's mound for the whole shot. Only tilt and zoom from this same position — the camera never moves to another place.
0–1.5s: In the foreground at the bottom of the frame, the back of the catcher's helmet and his raised mitt; on the left foreground, the batter seen from the side, slightly out of focus. In the center, Si-eun stands on the mound facing the camera. She winds up and fires a fastball straight toward the camera. The batter swings hard — a loud crack — and the ball rockets high over her head toward center field.
1.5–3s: She spins around, takes two quick steps toward center field and launches into a superhuman leap, soaring high into the night sky. Dirt from the mound bursts outward in a ring. The camera tilts up and zooms in strongly to keep her large in the frame.
3–3.5s: High above center field, level with the stadium floodlights, she twists in mid-air and stretches out her glove, snagging the ball with a sharp snap. Her silhouette glows in the floodlight backlight.
3.5–5s: She drops down and lands near second base in a three-point superhero landing on the infield dirt; dirt bursts outward in a ring. She rises, turns to face home plate (the camera), raises the glove to show the ball, and looks straight into the lens with a small confident smirk; the cyan "C" logo on her cap faces the camera. The camera slowly pushes in (zoom). In the foreground, the batter lowers his bat and stands frozen, out of focus.
Lighting: bright white stadium floodlights, strong rim light on her silhouette, deep blue night sky, glowing dust in the light beams.
Look: big sports broadcast meets action film, crisp detail, slight teal-and-orange grade, fine film grain, light motion blur on the swing and the leap.
Physics: the ball flies in a clear arc away from the camera toward center field; she leaps in the same direction and catches it at the top. Real weight and a hard landing impact. The ball stays in her glove after the catch.
Constraints: keep her face, hair, outfit and logos exactly as in the reference images. No league names, no team names, no team logos, no player names or numbers, no readable text on the scoreboard, ads or uniforms, no real players. No slow motion, no subtitles.

提示 不要寫聯盟、球隊名稱和標誌。投球被省略時，分成兩個5秒片段再拼接。

Vertical 9:16, 5 seconds, cinematic live-action, a professional baseball stadium at night under bright floodlights, one continuous shot from the catcher's position at lens height.
Character (keep identical to the reference images): Si-eun, a young East Asian woman in her early 20s, the pitcher. Black bob haircut with blunt bangs, small mole on her right cheek, small gold hoop earrings. Hot-pink baseball cap with a cyan film-strip "C" logo on the front, open faded blue denim shirt with rolled sleeves over a white tank top with pink trim, hot-pink athletic shorts with the cyan "C" logo, plain grey sneakers with no logos. A plain brown leather glove with no brand marks on her left hand.
0–1.5s: Locked camera at the catcher's position. On the mound, Si-eun stares straight into the lens, winds up and fires a fastball directly at the camera. The ball spins hard and grows bigger as it rushes toward the lens; the air around it ripples slightly like heat haze.
1.5–2.5s: The ball suddenly stops in mid-air just in front of the lens, about the size of a fist in the lower center of the frame, still spinning in place. A faint ring of rippling air spreads out from it once, and loose dust in the air hangs still.
2.5–3.5s: Si-eun sprints from the mound toward the camera at super speed, her body slightly motion-blurred, dust kicking up behind her feet and a gust of wind pulling at her shirt. She stops right in front of the lens as a waist-up close-up on the right side of the frame, next to the floating ball.
3.5–4s: She hooks her middle finger against her thumb and flicks the ball with a sharp snap. The ball shoots away back toward the field, leaving only a small ripple of displaced air.
4–5s: She glances after the ball for a moment, then looks straight into the lens with a small confident smirk. The cyan "C" logo on her cap faces the camera.
Lighting: bright white stadium floodlights from above, soft rim light on her hair and shoulders, dark blue night sky.
Look: crisp sports-film look, natural colors, fine film grain, sharp focus on the ball while it is frozen, then focus on her face for the close-up.
Physics: only subtle air resistance effects — slight heat-haze ripples around the moving ball, a small air ripple when it stops and when it is flicked, natural motion blur on fast movement. Realistic ball spin and weight.
Constraints: no glowing light, no light trails, no sparks, no energy effects, no afterimages. Keep her face, hair, outfit and logos exactly as in the reference images. No league or team names, no team logos, no brand marks on the ball, glove or uniforms, no readable text on the scoreboard or ads. No slow motion except the frozen ball, no subtitles.

提示 把角色設定圖作為參考圖。只保留輕微空氣波動；衝刺斷開時分成兩個5秒片段再拼接。

Vertical 9:16, 5 seconds, cinematic live-action, city plaza at sunset.
0–2s: Extreme low angle looking up. A lone figure in a sleek matte-black armored suit falls straight down from the bright orange sky toward the camera, arms tucked, coat-like cape snapping in the wind.
2–3s: Three-point superhero landing — right knee and right fist hit the ground at the same moment. The stone pavement cracks outward in a clean ring, and a shockwave of dust and small debris rolls out across the ground. A slight camera shake on impact.
3–5s: Slow push-in. The figure rises to full height, lifts the head, and looks straight into the lens with calm, intense eyes. Dust settles and drifts through the backlight.
Lighting: low golden-hour sun directly behind the figure, strong rim light on the armor edges, warm lens flare, long shadows.
Look: anamorphic film look, teal-and-orange grade, fine film grain, shallow depth of field.
Physics: real body weight, hard impact, no floating.
Constraints: no slow motion, no text, no logos, no extra people, no explosions.

提示 很適合做短劇開場鉤子。最後直視鏡頭能抓住視線。

Vertical 9:16, 5 seconds, cinematic live-action, rooftop of a skyscraper at golden hour, city far below.
0–2s: Medium-wide shot, low angle. A young woman in a grey hoodie, black jeans and white sneakers stands at the edge of the rooftop, eyes closed, hair moving in the wind. A faint blue glow begins to shimmer around her body.
2–3s: She opens her eyes, bends her knees, and suddenly launches straight up into the air. A ring of dust and loose gravel bursts outward from her feet, and her hood blows back.
3–5s: The camera tilts up fast to follow her as she rockets into the sky, leaving a thin trail of blue light, shrinking into a small glowing silhouette against orange clouds.
Lighting: warm golden sunset behind the clouds, cool blue glow around her, long shadows across the rooftop.
Look: grounded sci-fi film look, orange-and-blue grade, fine film grain, light lens flare.
Physics: explosive takeoff force, clothes and hair reacting to the speed, believable acceleration.
Constraints: no slow motion, no cape, no costume, no logos, no text, no extra people.

提示 披風、緊身戰衣這類像知名英雄的服裝容易被拒。普通衣服加光效更安全。

Vertical 9:16, 5 seconds, cinematic live-action, city rooftops at night in heavy rain.
0–2s: Handheld tracking shot from behind and slightly low. A young woman in a black leather jacket and dark cargo pants sprints across a wet rooftop toward the edge, splashing through shallow puddles, ponytail whipping in the wind.
2–4s: At the edge she plants one foot and leaps across a three-meter gap to the next building. The camera whips upward to follow her silhouette against a wall of glowing neon signs; rain streaks across the frame.
4–5s: She hits the far rooftop, tucks into a shoulder roll through a puddle, and springs back up still running, without breaking stride.
Lighting: magenta and cyan neon from the street below, cold backlight catching the rain, wet reflections on every surface.
Look: anamorphic film look, teal-and-magenta grade, fine film grain, light motion blur on fast moves.
Physics: real momentum and body weight, believable jump distance, water splashing on landing.
Constraints: no slow motion, no text, no readable signs, no extra people, no weapons.

提示 一定要分成 原因 → 結果 → 接下來：起跳、落地、繼續跑。

Vertical 9:16, 5 seconds, cinematic live-action, narrow Asian night-market alley at dusk.
0–2s: Low front tracking shot, camera racing backward just above the ground. A rider in a black helmet and red jacket on a red sport motorcycle weaves fast between food stalls, hanging paper lanterns streaking past overhead.
2–4s: Side angle. He leans the motorcycle hard into a sharp right turn, knee nearly touching the ground; the rear tire kicks up a spray of dust and loose paper, lanterns swinging from the wind.
4–5s: The camera whip-pans to follow as he accelerates out of the turn and disappears around the corner, leaving a thin trail of dust in the warm light.
Lighting: warm red and gold lantern light, cool blue dusk sky above, glowing reflections on the wet stone ground.
Look: high-energy action film look, red-and-teal grade, fine film grain, motion blur on the background.
Physics: realistic lean angle, believable speed and tire grip, natural rider balance.
Constraints: no slow motion, no crashes, no text, no readable signs, no other vehicles.

提示 加上 "lean angle（傾斜角）" 可以避免摩托直立打滑。

Vertical 9:16, night alley, pouring rain, single sodium street lamp.
0–2s: Wide shot, two fighters face each other, rain bouncing off the asphalt.
2–5s: Fast handheld close: the younger fighter ducks a hook and drives a punch to the ribs.
5–8s: Low angle, the older fighter drops to one knee, water splashing around him; the camera holds still.
Wet hair and clothes, visible breath, hard side light, high contrast.
No slow motion, no blood, no crowd.

提示 最後一拍讓鏡頭停住，"結束了"的感覺更明確。

Vertical 9:16, neon-lit highway tunnel, night.
0–3s: Low side-tracking shot of a black sedan drifting around a curve, tires smoking.
3–5s: Interior close-up, the driver grips the wheel, light streaks sliding across her face.
5–8s: Rear low follow shot, the sedan bursts out of the tunnel into the rain; sparks fly as it scrapes the guardrail.
Motion blur on wheels and lights, realistic suspension and weight.
No slow motion, no other cars in frame, no text.

提示 車戲在車外 → 車內 → 車外之間切換，速度感更強。

Vertical 9:16, dark office building hallway, emergency red lights.
0–3s: Low wide shot, a four-person tactical team moves in a tight line, flashlight beams cutting through smoke.
3–5s: POV tracking from behind the lead, approaching a door.
5–8s: The lead kicks the door open; the camera holds on the doorway as dust swirls in the beams.
Red and cold white light, haze, controlled handheld.
No gunfire, no blood, no text.

提示 槍戰描寫容易被拒。用光線、煙霧和動作營造緊張感。

Vertical 9:16, concrete parking garage stairwell, daylight through gaps.
0–2s: Wide shot from below, a runner vaults over the railing.
2–4s: He drops one full floor and lands in a deep crouch, hands touching the ground.
4–5s: He springs up and runs out of frame.
Realistic gravity and landing impact, dust puff on landing.
No slow motion, no wire effects, no text.

提示 加 "no wire effects" 可以減少懸在半空的假感。

Vertical 9:16, 5 seconds, cinematic sci-fi, one continuous shot, high above a red desert planet.
0–2s: Wide shot, slow push-in. Empty sky above the curve of a vast red desert planet. A bright white warp flash bursts open in the center of the frame, and a small sleek silver spaceship drops out of it, light trails fading behind.
2–5s: The ship's twin engines glow electric blue as it glides down and away toward the horizon, where a huge rust-colored dust storm rolls across the dunes. Thin wisps of atmosphere streak past the camera.
Lighting: low alien sun on the right edge, warm orange rim light on the planet's curve, cool blue engine glow, soft lens flare.
Look: epic space-film look, orange-and-blue grade, fine film grain, deep sense of scale.
Physics: small ship against an enormous planet, smooth realistic flight, no sudden turns.
Constraints: no slow motion, no text, no logos, no cuts, no people.

提示 飛船小、背景大，規模感就出來了。

Vertical 9:16, 5 seconds, cinematic sci-fi, ruined city street at night in heavy rain.
0–2s: Extreme low angle from street level. A giant gunmetal-grey mech, three stories tall, kneels motionless between broken buildings. Thick white steam hisses out of the vents on its back, and rain streams down its armor plates.
2–5s: Its two eye sensors flash bright red. With heavy, slow, mechanical motion it pushes off one knee and rises to full height, water pouring off its shoulders and joints in sheets, puddles rippling from each movement. Searchlights from above sweep across its chest as the camera cranes up toward its head.
Lighting: cold blue moonlight, harsh white searchlight beams cutting through the rain, glowing red eye sensors, wet metal reflections.
Look: epic mecha film look, steel-blue grade with red accents, fine film grain, volumetric rain and fog.
Physics: massive weight, slow powerful movement, the ground trembles slightly, no floating.
Constraints: no slow motion, no text, no logos, no people, no weapons firing.

提示 必須寫 "heavy, slow"，否則會像玩具一樣輕飄。

Vertical 9:16, 5 seconds, cinematic sci-fi, busy city crosswalk at night in the rain.
0–2s: Medium shot, eye level. A young woman in a long beige trench coat stands still in the rain. Suddenly every raindrop around her freezes in mid-air, and the pedestrians and umbrellas behind her stop completely, mid-step.
2–5s: Slow tracking shot alongside her. She walks forward at normal speed through the suspended raindrops; each drop she touches bursts into a tiny glittering splash, while everything else stays perfectly frozen. She glances calmly at the motionless people as she passes.
Lighting: cool blue streetlights, warm red and amber traffic-light glow reflecting on wet asphalt, every frozen raindrop catching the light like glass beads.
Look: sleek sci-fi film look, blue-and-amber grade, crisp detail on the drops, shallow depth of field.
Physics: only she moves at normal speed; frozen drops stay in place unless she touches them.
Constraints: no slow motion on her, no text, no readable signs, no logos.

提示 要寫清"只有她是正常速度"，否則整段會變成慢動作。

Vertical 9:16, 5 seconds, cinematic sci-fi, empty subway platform late at night.
0–2s: Medium-wide shot from behind and slightly to the side. A man in a long dark coat stands alone at the edge of the platform. In the air in front of him, a thin vertical line of white light appears and begins to split open.
2–4s: The line tears wider into a tall swirling ring portal of white and violet light. A strong gust of wind pours out, pulling his coat back and scattering loose papers across the platform; the ceiling lights flicker.
4–5s: Through the portal, a glowing alien forest with giant blue bioluminescent plants is visible. He takes one slow step back, his face lit by the portal's light.
Lighting: dim green-white fluorescent subway light, intense white-violet glow from the portal, strong rim light on the man's silhouette.
Look: grounded sci-fi film look, teal-and-violet grade, fine film grain, soft lens flare.
Physics: realistic wind on the coat and papers, stable portal edges, natural body reaction.
Constraints: no slow motion, no text, no readable signs, no extra people, no trains.

提示 最後加一個反應（後退一步），場景就有了情緒。

Vertical 9:16, white space station corridor, zero gravity.
0–3s: Wide tracking shot, an astronaut floats forward, pushing off handrails.
3–5s: Close-up of her helmet visor reflecting blinking control panels.
5–8s: She grabs a hatch handle and pulls it open; the camera pushes through to reveal Earth outside.
Clinical blue-white light, floating dust particles, realistic zero-g drift.
No gravity, no running, no text.

提示 一定要加 "no running"，否則失重環境里人會正常走路。

Vertical 9:16, dark lab, locked-off camera, no handheld.
0–3s: Macro close-up, an android's eye opens; the iris lights up in cold blue rings.
3–5s: Medium shot, cables detach from her neck one by one with small sparks.
5–8s: She sits up slowly and looks at her own hand, fingers flexing.
Cold blue accent light, glossy synthetic skin, shallow depth of field.
No text, no extra people.

提示 固定機位（locked-off）會讓冷冰冰的機械感更強。

Vertical 9:16, futuristic megacity at night, drone shot.
0–3s: The camera dives between skyscrapers covered in giant holographic ads.
3–6s: Flying cars stream past in glowing traffic lanes.
6–8s: The camera levels out above a rooftop where a lone figure in a long coat stands at the edge.
Neon magenta and cyan, light rain, volumetric fog, deep perspective.
No readable text on signs, no logos.

提示 招牌文字容易亂碼，最好加 "no readable text"。

Vertical 9:16, outside a space station, Earth below.
0–3s: Wide shot, an astronaut on a tether drifts toward a damaged solar panel.
3–6s: Close-up of gloved hands turning a bolt; a small piece of debris floats away.
6–8s: The camera pulls back to show the tiny figure against the curve of the Earth.
Harsh sunlight, deep black shadows, silent space.
Realistic zero-g, no sound effects, no text.

提示 太空中陰影非常深。用 "deep black shadows" 增加真實感。

Vertical 9:16, dark room lit only by screens, close-up.
0–2s: A hacker's face, green and amber code reflected across her glasses.
2–4s: Holographic glyphs rise from the keyboard and swirl around her hands.
4–5s: Every screen flashes red at once; she smiles.
High contrast, neon reflections, subtle glitch effect.
No readable text, no logos.

提示 很適合短劇反轉場景，最後的表情是關鍵。

Vertical 9:16, foggy alien swamp at night.
0–3s: Wide shot, a scientist with a flashlight steps onto a moss-covered rock.
3–5s: In the fog ahead, a tall creature with glowing blue veins slowly unfolds its long limbs.
5–8s: Over-the-shoulder shot, the creature tilts its head toward her and its light pulses gently.
Bioluminescent glow, thick fog, quiet and tense mood.
No attack, no gore, no text.

提示 加 "no attack" 就不是恐怖片，而是神秘的初次相遇。

Cinematic 21:9 widescreen, 15 seconds, multi-shot music video, seamless white infinity studio.
Two quirky dancers: a woman with a pink bob haircut in an oversized navy coat over a cream ruffled blouse and wide cream trousers, and a man with wild orange hair in a dark green velvet jacket, cream shirt and rust-red trousers.
Shot 1 (0–3s): Extreme wide shot, the woman stands tiny in the middle of the white space, then the man jumps into frame beside her.
Shot 2 (3–6s): Full shot, both strike exaggerated poses, pointing at each other in sync.
Shot 3 (6–8s): Extreme close-up of their two hands pointing at each other, almost touching.
Shot 4 (8–10s): Close-up of the woman's deadpan face, rosy cheeks, staring straight into the lens.
Shot 5 (10–15s): Wide shot, they dance a playful, off-beat duet with kicks and spins, ending in a frozen thumbs-up pose.
Lighting: soft, even high-key studio light, no harsh shadows.
Look: quirky Wes-Anderson-like fashion film, muted pastel palette, clean composition, fine film grain.
Constraints: no text, no logos, no extra people, keep the same two faces and outfits in every shot.

提示 15秒多鏡頭用 "Shot 1, Shot 2…" 分鏡，並在開頭把人物詳細寫一次，每個鏡頭才會是同一個人。